Liz Busby

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So at the risk of being obvious, let me say that all protagonists stand on the threshold of the novel they’re about to be flung into with two things about to burn a hole in their pocket: 1. A deep-seated desire—something they’ve wanted for a very long time. 2. A defining misbelief that stands in the way of achieving that desire. This is where the fear that’s holding them back comes from.
Story Genius: How to Use Brain Science to Go Beyond Outlining and Write a Riveting Novel (Before You Waste Three Years Writing 327 Pages That Go Nowhere)
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