But if some part of all this pleased me, another part, equally large, was incensed at the idea that this bio of Tracee Le Roy could be fairly compared—by any of the people in the theater presently reading it, or by any of the actors in the cast—with any of these other stories. What did Tracee Le Roy have to do with these people? With this girl right next to her in the program, the girl with the endless biography, Emily Wolff-Pratt, who had studied at RADA, and who couldn’t know, as I did, the huge statistical unlikelihood of my friend standing on this stage, or any stage at all—in any role, in
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