Allan Malcolmson

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The skirt punches a bony finger at the window, straight at the factory at the end of the road. It’s an ugly thing. Most places in London, the businesses will try to blend in with the neighborhood, mix a little effort into the mortar, so to speak. But this was the brickworks, the smoke-clogged uterus of the English capital. It was never meant to be beautiful. And frankly, it ain’t. The building in the distance, with its boneyard of chimneys, its cellblock windows, is like the corpse of a god that’s been left to rot, picked-over ribs swarming with overall-wearing insects.
Hammers on Bone (Persons Non Grata, #1)
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