In McVeigh’s “Face of Terror” is also reflected “The Ghost of Lee Harvey Oswald” and like Oswald, John Wilkes Booth, Sirhan Sirhan and a number of other American “Lone Gunmen,” before and after McVeigh, all of whom inspired multiple competing, highly conflicting and continually evolving narratives and debates about just how alone these lone wolves really were.1 Many of the narratives that appeared after McVeigh’s arrest claim to tell the real and sometimes, suppressed story of the 1995 Oklahoma City bombing.
