Hope in the Dark: Untold Histories, Wild Possibilities

by Rebecca Solnit

But the despair was something else again. Sometime before the election was over, I vowed to keep away from what I thought of as “the Conversation,” the tailspin of mutual wailing about how bad everything was, a recitation of the evidence against us—one exciting opportunity the left offers is of being your own prosecutor—that just buried any hope and imagination down into a dank little foxhole of curled-up despair. Now I watch people having it, wondering what it is we get from it. The certainty of despair—is even that kind of certainty so worth pursuing? Stories trap us, stories free us, we live and die by stories, but hearing people have the Conversation is hearing them tell themselves a story they believe is being told to them. What other stories can be told? How do people recognize that they have the power to be storytellers, not just listeners? Hope is the story of uncertainty, of coming to terms with the risk involved in not knowing what comes next, which is more demanding than despair and, in a way, more frightening. And immeasurably more rewarding. What strikes you when you come out of a deep depression or get close to a depressed person is the utter self-absorption of misery. Which is why the political imagination is better fueled by looking deeper and farther.