Arcanum Unbounded: The Cosmere Collection

by Brandon Sanderson

“All things exist in three Realms, Gaotona. Physical, Cognitive, Spiritual. The Physical is what we feel, what is before us. The Cognitive is how an object is viewed and how it views itself. The Spiritual Realm contains an object’s soul—its essence—as well as the ways it is connected to the things and people around it.”

In her business, there were many who laughed at honest men, calling them easy pickings. That was a fallacy. Being honest did not make one naive. A dishonest fool and an honest fool were equally easy to scam; you just went about it in different ways. However, a man who was honest and clever was always, always more difficult to scam than someone who was both dishonest and clever. Sincerity. It was so difficult, by definition, to fake.

“People,” Shai said, rising to fetch another seal, “by nature attempt to exercise power over what is around them. We build walls to shelter us from the wind, roofs to stop the rain. We tame the elements, bend nature to our wills. It makes us feel as if we’re in control. “Except in doing so, we merely replace one influence with another. Instead of the wind affecting us, it is a wall. A man-made wall. The fingers of man’s influence are all about, touching everything. Man-made rugs, man-made food. Every single thing in the city that we touch, see, feel, experience comes as the result of some person’s influence. “We may feel in control, but we never truly are unless we understand people. Controlling our environment is no longer about blocking the wind, it’s about knowing why the serving lady was crying last night, or why a particular guard always loses at cards. Or why your employer hired you in the first place.”

He found himself weeping. Not for the future or for the emperor. These were the tears of a man who saw before himself a masterpiece. True art was more than beauty; it was more than technique. It was not just imitation. It was boldness, it was contrast, it was subtlety. In this book, Gaotona found a rare work to rival that of the greatest painters, sculptors, and poets of any era. It was the greatest work of art he had ever witnessed. Gaotona held that book reverently for most of the night. It was the creation of months of fevered, intense artistic transcendence—forced by external pressure, but released like a breath held until the brink of collapse. Raw, yet polished. Reckless, but calculated. Awesome, yet unseen.

You can’t always write what you know—not exactly what you know. You can, however, write what you see.