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André Bazin famously dated the crystallization of “classical” storytelling to 1939 with Stagecoach. Ferguson, with his love of vernacular comedy, set the turning point back in 1934, his first year on the job, with Sing and Like It and The Thin Man and Twentieth Century and The Gay Divorcee and above all It Happened One Night.
The Rhapsodes: How 1940s Critics Changed American Film Culture
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