When the Catholic mass becomes a genre available for concert performance by Protestants, when we listen to the scripture because of what Bach wrote rather than because of what St. Matthew wrote, then sacred texts are being preserved in a form in which the traditional links with belief have been broken, even in some measure for those who still count themselves believers. It is not of course that there is no link with belief; you cannot simply detach the music of Bach or even of Handel from the Christian religion. But a traditional distinction between the religious and the aesthetic has been
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