Jason Sands

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BY THE WINTER OF 1603, if an account left by a French envoy, André Hurault, is entirely to be trusted, Queen Elizabeth I had become a little odd to behold. Her face was caked permanently in a thick mask of white makeup, her teeth were black or missing, and she had developed the distracted habit of loosening the stays of her dress so that it forever hung open. “You could see the whole of her bosom,” noted Hurault in some wonder.
Shakespeare: The World as Stage
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