White Trash: The 400-Year Untold History of Class in America

by Nancy Isenberg

The same impulses would soon be used to refashion the redneck and embrace white trash as an authentic heritage. It was moonshiners known for trippin’ whiskey and outrunnin’ the law who started the rough and wild sport of stock car racing. By the seventies, with money from Detroit automobile companies and celebrity drivers, an outlaw sport had become NASCAR, the tamer pastime of arriviste middle-class Americans. Meanwhile, country crooners Johnny Russell and Vernon Oxford released the hit singles “Rednecks, White Socks, and Blue Ribbon Beer” (1973) and “Redneck! (The Redneck National Anthem)” (1976). Vernon Oxford defined “redneck” as “someone who enjoys country music and likes to drink beer.” In 1977, the year Elvis died, the new queen of country rock music, Dolly Parton, was featured in the elite fashion magazine Vogue. “Redneck chic” (the cleaned-up redneck) reached Hollywood in the 1981 film Urban Cowboy, in which Jersey boy John Travolta took on the role of hard-hat-wearing, honky-tonk-loving Texas two-stepper Buford Davis. In 1986, Ernest Matthew Mickler’s White Trash Cooking was published, celebrating low-down lingo and rural recipes. When Mickler, a country singer as well as a caterer, gave his book to his seventy-two-year-old aunt, she remarked, “Well, that’s what they call us, ain’t it?”