White Trash: The 400-Year Untold History of Class in America

by Nancy Isenberg

The transition to white trash acceptance or accommodation was not as smooth as it might seem. While Dolly Parton made over-the-top “floozydom” fashionable, and combined the burlesque of blonde bombshells Marilyn Monroe and Jayne Mansfield with Daisy Mae of Li’l Abner fame, her public identity did not escape the taint of white trash degradation. “You have no idea how much it costs to make someone look this cheap,” Parton told a reporter in 1986. The Hollywood blockbuster Deliverance lacked even an ounce of delicacy, but offered up instead one of the most devastating portraits of rude hillbillies since the eugenics movement faded from view. White middle-class readers of the novel and film audiences wrote fan mail to author James Dickey, praising the four intrepid Atlanta adventurers as if they were old-time pioneers overcoming wilderness dangers while escaping the clutches of white trash savages. A former student of Dickey’s wrote fawningly to his mentor, apparently oblivious to the dehumanizing tone of his letter. He was an ardent backwoods hiker, he said, “though I carry no bow and there are no rednecks awaiting me at the top for me to stalk and kill.” He could not differentiate, in moral terms, between the thrill of taking on the mountains and the thrill of sending mountain men to their deaths.