When Elvis stormed onto the national scene in 1956, he seemed to be doing everything he could to act nonwhite. He openly embraced black musical style, black pompadour hair, and flashy outfits that had been associated with blacks as well. His gyrations caused his critics to compare his wildly sexualized dancing to the “hootchy-kootchy,” or burlesque striptease, and the rebellious zoot suit crowd.
