In the Café of Lost Youth (New York Review Books Classics)
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Read between November 28 - November 30, 2020
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For me, autumn has never been a sad season. The dying leaves and the days that grow shorter and shorter have never evoked the end of something for me but instead brought with them anticipation for the future.
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For me, the Condé was a refuge from all the drabness I anticipated in life. There will one day be a part of me—the best part—that I will be forced to leave behind there.
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As you tell of this imaginary life, great breaths of fresh air rush across a closed room in which you have been unable to breathe for a long time. A window abruptly opens, the shutters bang in the breeze. You have, once again, a future before you.
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I shut up. We live at the mercy of certain silences. We have all known things about each other for a long time. So we try to avoid each other. It would be for the best, of course, if none of us were ever to see each other again.
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As he answered me in a sad voice, I jotted down all of those details that are often the sole things that bear witness to the passage of a human being on Earth.
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In this life that sometimes seems to be a vast, ill-defined landscape without signposts, amid all of the vanishing lines and the lost horizons, we hope to find reference points, to draw up some sort of land registry so as to shake the impression that we are navigating by chance. So we forge ties, we try to find stability in chance encounters.
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There comes a time when you have to stop listening to other people.
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Where was she now? In a café, like me, sitting alone at a table? Doubtless the phrase he had spoken earlier had given me this idea: “It’s all about trying to create ties.” Encounters in the street, in a Métro station at rush hour. We ought to shackle ourselves to each other at that moment. What connection can resist the tide as it carries you away and diverts your course? An anonymous office where you dictate a letter to a temp typist, a ground-floor apartment in Neuilly whose white, empty walls evoke what some would call a “showroom apartment,” where there would be no trace left of your stay.
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By what right do we intrude, forcing our way in like common crooks, and by what presumptuousness do we delve into their heads and their hearts—and ask them to account for themselves? By what authority?