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“Perhaps the most successful of the pieces Paul Wittgenstein commissioned, philosophically speaking, is another one by Hindemith, which is a struggle even for a two-handed man to play well. And yet there is something about the stress it places on the fingers of the one-handed man that gives it a poignancy that a more relaxed, more confident two-handed approach is virtually unable to bring about. Hindemith had two hands, but when he wrote that piece it was as if he had only one.
“Nothing happened to me,” he said. “I’m what happened to them.”