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September 17 - October 9, 2021
Because if there’s one thing every good novelist understands, it’s that our inner world is unreliable and yet there’s no getting beyond it. Every sense is subject to deception, including the moral sense. What seems at first like the hard surface of spiritual reality is really fathomless when you dive down into it. There is no bottom. We never know anything for sure.
It made sense to me too—natural sense, not supernatural—that after that history was complete, a man might be born who could comprehend it wholly and re-create within himself the relationship at its source. His mind would contain both man and God. It made sense that the creatures of sin and history—not the Jews alone but all of us—would conspire in such a man’s judicial murder. Jesus had to die because we had to kill him. It was either that or see ourselves by his light, as the broken things we truly are. It’s only from God’s point of view that this is a redeeming sacrifice. By living on earth
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Jesus’ resurrection is the final proof that no matter how often we kill the truth of who we’re meant to be, it never dies.
Sigmund Freud is often quoted describing the psycho-therapeutic process as a journey from “hysterical misery to ordinary unhappiness.”
For years, maybe most of my life, I had languished in that typical young intellectual’s delusion that gloom and despair are the romantic lot of the brilliant and the wise. But now I saw: it wasn’t so. Why should it be? What sort of wisdom has no joy in it? What good is wisdom without joy? By joy I don’t mean ceaseless happiness, of course. I don’t mean willed stupidity for the sake of a cheap smile. The world is sad and it is suffering. A tragic sense is essential to both realism and compassion. By joy I mean a vital love of life in both sorrow and gladness. Why not? The hungry can’t eat your
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Sex, birth, marriage, these bodies, this life, they were all just representations of the power that had created them, the power now surging through my wife in this flood of matter, the power that had made us one: the power of love. Love, I saw now, was an exterior spiritual force that swept through our bodies in the symbolic forms of eros, then bound us materially, skin and bone, in the symbolic moment of birth. Everything we were, everything we were going through—it was all merely living metaphor. Only the love was real.
Why, after all, should the flesh be the ground floor of our interpretations? Why should we end our understanding at the level of material things? It’s just a prejudice really. The flesh is convincing. We can see it, feel it, smell it, taste it. It’s very there. It’s a trick of the human mind to give such presence the weight of reality. Men kill each other over dollar bills that are only paper because the paper has come to seem more real to them than the time and value it represents. In the same way, and for the same reason, people destroy themselves and everyone around them for sex: because
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If we don’t accept our inner experience as real, then only man’s material desires have any meaning. Our yearnings for pleasure and power are all that’s left. Anything else, anything that seems like absolute spiritual truth or absolute spiritual morality, must only be an elaborate illusion that can be deconstructed back down to those brute facts.
you have to first make the assumption that material is the only reality before you can begin to reason away the spirit.
The ferociously radical-to-the-death Jesus of the Gospels was transformed here into a bland cheerleader for socially acceptable niceness. That made no sense to me. No one ever got himself crucified for organizing a charity golf tournament.
And there was no more confirmed atheist-materialist than Sigmund Freud. He had replaced the Trinity of Father, Son, and Holy Spirit with the Id, Ego, and Superego, three functions of the mind. He had replaced the fall of man with a story about a primal patricide in earliest times—that was how he explained our universal sense of guilt. He had essentially rewritten the story of Christianity into a new myth of the death and resurrection of our own flesh. For him, all our highest thoughts could be reinterpreted as expressions of our often thwarted and rechanneled erotic impulses.
if we concede that one thing is morally better than another, it can only be because it is closer to an Ultimate Moral Good, the standard by which it’s measured. An Ultimate Moral Good cannot just be an idea. It must be, in effect, a personality with consciousness and free will.
In the chain of reasoning that took me finally to Christ, accepting this one axiom—that some actions are morally better than others—is the only truly nonlogical leap of faith I ever made. Hardly a leap really. Barely even a step. I know it’s so. And those who declare they do not are, like Hamlet, only pretending.
Because postmodernism is right in this at least: there is plenty we take for morality and truth that is mere prejudice. There is much we accept as wisdom that is only cultural habit. There is a great deal we mistake for reality that is simply a trick of the light. It is not a bad thing to clear the mind of the false god of our inner voices. That, I came to think, was the idea behind my satori.
The truth of suffering. The wisdom of joy. The reality of love. The possibility of clear perception. The laughter at the heart of mourning. I had them all now, all the pieces I needed. The five revelations that were really one revelation: the presence of God.
Faulkner’s famous dictum, “The past is never dead. It’s not even past,”
It reminded me of the sense I’d had then that our mortal lives were just incarnate metaphors, that we are stories being told about the living love that created us and sustains us. It made me wonder if maybe that was true of all history. Maybe all of history’s beauty and bloodshed was a story not about pleasure and pain and power but about humanity’s relationship with an unseen spirit of love. We yearned for that spirit but we feared and hated it, too, because when it shone its terrible light on us, we saw ourselves as we were, broken and shameful, far from what the spirit of love had made us.
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We are never free of the things that happen. Every evil weaves itself into the fabric of history, never to be undone. Yet at the same time—at the very same time—each of us gets a new soul with which to start the world again.
You cannot know yourself alone, any more than you can see your own face without a mirror.
You cannot know that experience fully by yourself, you cannot experience that experience fully by yourself. It must be reflected back to you by its source, its creator, and only his love can reflect it back to you as it actually is. You cannot know the truth about the world until you know God loves you, because that is the truth about the world.
After a while, though, it began to seem to me that I was thinking too much about perfect truth-telling. It was a waste of prayer time. The human heart is so steeped in self-deception that it can easily outrun its own lies. It can use even meticulous honesty as a form of dishonesty,
What were my five epiphanies if not tenets of Christian faith? The truth of suffering was the knowledge of the cross. The wisdom of joy was the soul’s realization through relationship with God. The reality of love was the personality of the Creator as only Jesus had ever revealed it. The possibility of clear perception was the sign that we were made in God’s image, that we had the ability to know his good as our good, even if only through a glass darkly. Then there was the laughter at the heart of mourning, my bizarre but ever-present sense that, despite our grief and fear and suffering, some
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No single genre could convey all the wisdom it has to convey. But all the genres of the Bible are part of its overall story and, within that context, all are true and uniquely true.
But such things don’t happen, I knew now, was the ultimate irrational prejudice of the human mind: the belief that the symbols of reality are more real than the reality they symbolize. That’s us all over. We believe that money is more valuable than the work it represents, that sex is more essential than the love it expresses, that an actor is more admirable than the hero he portrays, that flesh is more alive than spirit.
But what had appeared accidental to me in the past, now often seemed to bear the imprint of supernatural intent. Once you see it you can’t unsee it: the supernatural is not supernatural; the ordinary world is suffused with the miraculous.
Ritual and transition, symbol and reality, story and life—they are intimately intertwined forever. They are the language of the imagination, the language in which God speaks to man.

