manufacturers. In light of such context, the density of Yanqui U.X.O. felt like a weary realisation of the task at hand. The roots of evil ran too deeply and too insidiously. As “09-15-00” exploded over and over again in distorted violas and cymbals and flaming tremolo guitars, it seemed unfathomable that an eruption of such magnitude could go unfelt by the perpetrators of military violence. Alas, Yanqui U.X.O. was the sound of the band stranded in the ocean of inconsequence, and even though drowning was the only possible way out, Godspeed still thrashed for their survival for as long as they
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