Judy Goldman

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Atlantic pieces are long—four thousand words—so the inspiration is different than it is for shorter work. It’s like poetry, where you may ruminate and develop a lot of ideas but to get the opening and sustaining emotional pitch, drive, and obsession for the piece you have to wait for the heavens to open. It takes a while to wrap my arms around each one of these long-form essays.
Why We Write About Ourselves: Twenty Memoirists on Why They Expose Themselves (and Others) in the Name of Literature
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