Daniel Blazquez

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The five of us made sure to meet every day and we talked about everything and did whatever we had to do to help each other. We stayed close with our agents and always knew what was going on with them. This meant, for instance, if important writer clients wrote an unattached script, rather than sell it directly to a studio, we would put it together with a director and in some cases an actor or an actress, then sell it at a premium. Although we didn’t invent it, we did it very effectively and became known as a very strong packaging agency.
Powerhouse: The Untold Story of Hollywood's Creative Artists Agency
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