Daniel Blazquez

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Two days later the receptionist calls and says Shane Black was here to see me. He comes into my office. Now I am certain he hadn’t slept all week. Definitely wearing the same clothes. He drops a 130-page manuscript on my desk. I look at the cover. It is now called Lethal Weapon. I read the whole thing right there on the spot. And this truly was the best writing I had ever experienced.
Powerhouse: The Untold Story of Hollywood's Creative Artists Agency
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