Margo

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Cal didn’t explain how much he liked the language of exceptional storytelling because in a way he was a storyteller, but he’d done it in court. He never made things up or lied, but he offered possibilities. Enough to cloud a jury’s decision. Enough to confuse human nature. Sometimes he’d complicate an already complex process—that was plotting. That was what the greats of literature did—they got their characters up a tree and threw rocks at them.
What We Find (Sullivan's Crossing, #1)
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