Darlings of the Gods: One Year in the Lives of Laurence Olivier and Vivien Leigh
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22%
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‘but we are not bound hand and foot by labour as they are here.’
35%
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Many Australians, touchingly naive in response to what they saw, were
36%
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The awful thing about Australia is that one can see no hope for them, they are so union-ridden, and have such a lack of individuality, that there seems no chance for their people.
41%
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‘the whole of Melbourne seemed to close in on one and no matter how you hacked away at the work, you just couldn’t get through’.
45%
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his knighthood had become sacred to him.
46%
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But ruthlessly applied ambition now held, Vivien saw, a fascination for Olivier which he never quite shrugged off again.
68%
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it had also virtually no living culture of its own.
69%
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The rare commercial theatres that visited New Zealand from Australia played very safe,
69%
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the ‘substitute royal’ factor of the Oliviers was again to play an enormous part in their attraction.
69%
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In contrast to Sydney, they saw little drunkenness or wild behaviour.
70%
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What particularly heartened everyone, however, was not only the size of the audience but its quality.