Jeffery Hines

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Take any character and put the character in a setting. Any character. Any setting. Then climb into the character’s head and park your butt there and don’t allow yourself to type one word that doesn’t come from the character’s opinion or sensory feelings or emotions. Stay parked inside that character’s head. And let the character (and the reader) experience the story.
Writing into the Dark: How to Write a Novel without an Outline
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