The Divine Farce (LeapLit)
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we were immersed in sonic color—the
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I came to know hundreds of private constellations. Animals, buildings, words, faces—it was my obsession. The ability to lose myself in a vast mural of the imagination, and in that way to separate myself occasionally from the others, was necessary to my equilibrium.
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Theatrics don’t work if nobody cares.
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I’d feel paradoxically full in the stomach, empty in my heart, tired, alone, content, whole, hollow, broken and repaired, cheated and lucky, useless and essential to the cosmic pattern.
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To the extent that heaven above is isolation, it seems to be hell. To the extent that hell below is a crowd, it apparently is heaven. Maybe we are condemned to an endless nagging sense of discomfort balanced against comfort, satisfaction against the itch to escape.