OGU incorporates all competing fictions into its own story (the ultimate metanarrative), reducing alternative reality systems to negatively-marked components of its own mythos: other reality programs become Evil, associated with the powers of deception and delusion. OGU’s power works through fictions that repudiate their own fictional status: antifictions and unnonfictions. ‘And that’, Kaye said, ‘is why fiction can be a weapon in the struggle against Control’.
Does this make experiments with art, magic, lifestyles, etc. Guerrilla Ontology?
