So You Don't Get Lost In The Neighborhood: A Haunting Parisian Noir of Murder, Memory, and Identity
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Perhaps, thanks to deliberate forgetfulness, he had managed to protect himself from this past for good. Or else, it was time that had subdued its more intense colours and rough edges.
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It would appear, he often used to say to himself, that children never ask themselves any questions. Many years afterwards, we attempt to solve puzzles that were not mysteries at the time and we try to decipher half-obliterated letters from a language that is too old and whose alphabet we don’t even know.
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you go for a walk, don’t get lost.”
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On rue Puget, the woodwork and the window of the Aero had been replaced by a white wall, that kind of neutral blank whiteness that is the colour of oblivion.