Isolation, mental strain, emotional exertions, visionary infatuations, well-executed fevers, repudiations of well-being: only a few of the many exercises practiced by that specimen we shall call the “morbid man.” And our subject of supernatural horror is a vital part of his program. Retreating from a world of health and sanity, or at least one that daily invests in such commodities, the morbid man seeks the shadows behind the scenes of life. He backs himself into a corner alive with cool drafts and fragrant with centuries of must. It is in that corner that he builds a world of ruins out of the
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