Jeevitha Balakrishnan

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I was now a photojournalist willing to die for stories that had the potential to educate people. I wanted to make people think, to open their minds, to give them a full picture of what was happening in Iraq so they could decide whether they supported our presence there. When I risked my life to ultimately be censored by someone sitting in a cushy office in New York, who was deciding on behalf of regular Americans what was too harsh for their eyes, depriving them of their right to see where their own children were fighting, I was furious.
It's What I Do: A Photographer's Life of Love and War
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