Jeevitha Balakrishnan

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As my mahram, he had to accompany me, a woman alone, wherever I went. From the start of my journey, I struggled with how to skirt the Taliban photography ban: images burned my eyes and my soul, but I was too nervous about the consequences to dare sneak a picture as I looked out the car window and watched potential frames fade into the moving countryside.
It's What I Do: A Photographer's Life of Love and War
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