In fact, the Dulles policy of massive nuclear retaliation bore a disturbing resemblance to the Nazis’ exterminationist philosophy—a link that would be darkly satirized in Stanley Kubrick’s 1964 film Dr. Strangelove, with its Führer-saluting doomsday scientist. No other cultural artifact of the period captures so perfectly the absurd morbidity of the Cold War, and its Wagnerian lust for oblivion. We live “in an age in which war is a paramount activity of man,” Gehlen announced in his memoir, “with the total annihilation of the enemy as its primary aim.” There could be no more succinct a
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