As we have seen, the dialectic between tradition and innovation allows the organ maker to understand his own inventiveness as a going further in a trajectory he has inherited. This is very different from the modern concept of creativity, which seems to be a crypto-theological concept: creation ex nihilo. For us the self plays the role of God, and every eruption of creativity is understood to be like a miniature Big Bang, coming out of nowhere. This way of understanding inventiveness cannot connect us to others, or to the past. It also falsifies the experience to which we give the name
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