The Argonauts

by Maggie Nelson

Just as the Argo’s parts may be replaced over time but the boat is still called the Argo, whenever the lover utters the phrase “I love you,” its meaning must be renewed by each use, as “the very task of love and of language is to give to one and the same phrase inflections which will be forever new.”

What if where I am is what I need? Before you, I had always thought of this mantra as a means of making peace with a bummer or even catastrophic situation. I never imagined it might apply to joy, too.

One of the most annoying things about hearing the refrain “same-sex marriage” over and over again is that I don’t know many—if any—queers who think of their desire’s main feature as being “same-sex.” It’s true that a lot of lesbian sex writing from the ’70s was about being turned on, and even politically transformed, by an encounter with sameness. This encounter was, is, can be, important, as it has to do with seeing reflected that which has been reviled, with exchanging alienation or internalized revulsion for desire and care. To devote yourself to someone else’s pussy can be a means of devoting yourself to your own. But whatever sameness I’ve noted in my relationships with women is not the sameness of Woman, and certainly not the sameness of parts. Rather, it is the shared, crushing understanding of what it means to live in a patriarchy.

Afraid of assertion. Always trying to get out of “totalizing” language, i.e., language that rides roughshod over specificity; realizing this is another form of paranoia. Barthes found the exit to this merry-go-round by reminding himself that “it is language which is assertive, not he.” It is absurd, Barthes says, to try to flee from language’s assertive nature by “add[ing] to each sentence some little phrase of uncertainty, as if anything that came out of language could make language tremble.”

My writing is riddled with such tics of uncertainty. I have no excuse or solution, save to allow myself the tremblings, then go back in later and slash them out. In this way I edit myself into a boldness that is neither native nor foreign to me.

I didn’t have a clue what you were talking about, but I could see you burned for it. I wanted to be near that burning. I still don’t understand, but at least now my fingers ride the lip.