Debra Smetana

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The purpose of this chapter is twofold: first, to compare the Dhegihan cosmology to the Muskogean and Central Algonkian cosmological models; and second, to determine which cosmology best fits the motifs and symbols employed in the Greater Braden art style
Visualizing the Sacred: Cosmic Visions, Regionalism, and the Art of the Mississippian World (Linda Schele Series in Maya and Pre-Columbian Studies)
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