Debra Smetana

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along with a number of the “traditional” symbols commonly viewed as arising from the SECC (Waring 1968c; Howard 1968; Phillips 1940; Phillips and Brown 1978, 1984), in some localities we find these traditional motifs portrayed along with other, possibly more regionally specific motifs.
Visualizing the Sacred: Cosmic Visions, Regionalism, and the Art of the Mississippian World (Linda Schele Series in Maya and Pre-Columbian Studies)
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