Debra Smetana

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The Thruston Tablet probably represents a yet-unnamed style that, like Hightower and Hemphill, is an eastern offshoot or “branch” of the Late Braden style (Brown 2004:108–109).
Visualizing the Sacred: Cosmic Visions, Regionalism, and the Art of the Mississippian World (Linda Schele Series in Maya and Pre-Columbian Studies)
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