Debra Smetana

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The imagery of a series of copper plates and other objects from the Hightower region (mainly Etowah) does not comfortably fit in any of the known extraregional styles (Fig. 12.8c). These represent a corpus potentially created in a local copper-working style.
Visualizing the Sacred: Cosmic Visions, Regionalism, and the Art of the Mississippian World (Linda Schele Series in Maya and Pre-Columbian Studies)
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