Debra Smetana

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The boldness of the lines in the Foreground layer, particularly in comparison to the Background, suggests that the former was applied on top of the latter, as if the artist was making sure that the designs were visible against the “noise” of the lines already there.
Visualizing the Sacred: Cosmic Visions, Regionalism, and the Art of the Mississippian World (Linda Schele Series in Maya and Pre-Columbian Studies)
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