Debra Smetana

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Based on a limited statistical analysis, Lacefield (1995:57–64) isolates four variants of the designs showing the crested bird. She suggests that these variants may in part represent a chronological sequence, with the most elaborate designs being early.
Visualizing the Sacred: Cosmic Visions, Regionalism, and the Art of the Mississippian World (Linda Schele Series in Maya and Pre-Columbian Studies)
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