Debra Smetana

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Waring and Holder recognized that despite the frequently exotic origin of the raw material “the finished ceremonial object usually shows the characteristics of the stylistic subarea in which it is found, and, within limits, could not be confused with material from another area.”
Visualizing the Sacred: Cosmic Visions, Regionalism, and the Art of the Mississippian World (Linda Schele Series in Maya and Pre-Columbian Studies)
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