Debra Smetana

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The reverse panel was a different story. The only published drawings were based on Parker’s inked photograph, which was a very poor depiction of images on the stone. So we created an entirely new drawing of the reverse panel, based on the photographs and notes we made during our visit to the museum
Visualizing the Sacred: Cosmic Visions, Regionalism, and the Art of the Mississippian World (Linda Schele Series in Maya and Pre-Columbian Studies)
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