Visualizing the Sacred: Cosmic Visions, Regionalism, and the Art of the Mississippian World (Linda Schele Series in Maya and Pre-Columbian Studies)

by George E. Lankford

ceramic complexes in the LMV do not belong to a single ceramic complex but rather represent a concentration of art forms which do not observe boundaries. The concentration of art forms in the LMV “appears to be a center of a distribution pattern that ranges far beyond the valley itself”