Mason Endres

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That night, standing in Marjorie’s doorway, when I knew nothing of night terrors and old plaster, I saw Marjorie clinging to the wall like a spider. Her circular poster collage, her collection of glossy body parts, was her web, and she hovered over its center. Her arms and legs were spread-eagled, with her hands, wrists, feet, and ankles sunk into the wall as though it were slowly absorbing her.
A Head Full of Ghosts
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