A consciousness associated with the soul is more relaxed, less intentionalized than a consciousness associated with the phenomena of the mind. Forces are manifested in poems that do not pass through the circuits of knowledge. The dialectics of inspiration and talent become clear if we consider their two poles: the soul and the mind. In my opinion, soul and mind are indispensable for studying the phenomena of the poetic image in their various nuances, above all, for following the evolution of poetic images from the original state of revery to that of execution.
