More on this book
Community
Kindle Notes & Highlights
Read between
April 1, 2019 - June 7, 2020
I remembered what Charles Dickens did, a hundred and fifty years before, when copyright laws meant that his copyrights were worth nothing in the U.S.: he was widely read, but he was not making any money from it. So he took the piracy as advertising, and toured the U.S. in theaters, reading from his books. He made money, and he saw America.
Mammals, he said, and I paraphrase here and do not put it as well as Cory did, invest a great deal of time and energy in their young, in the pregnancy, in raising them. Dandelions just let their seeds go to the wind, and do not mourn the seeds that do not make it. Until now, creating intellectual content for payment has been a mammalian idea. Now it’s time for creators to accept that we are becoming dandelions.
People actually like supporting the artists whose work they like. It makes them feel happy. You don’t have to force them. And if you force them, they don’t feel as good.
The minute you start locking up the pathways of the Internet, and putting rules and regulations and fences around content that was once freely sharable, you ruin the possibility of an entire generation organically evolving into a more mutually supportive ecosystem.

