Moore’s position, in other words, is not that there is anythingwrongwith hisSoundswork as such, but rather that he simply doesn’t see it as appropriate to profit off of it given that he was still learning how to do comics. (Moore made a similar stand much earlier in his career, in fact, when he donated his proceeds for Acme Press’sMaxwell the Magic Cat reprints to Greenpeace, joking that “the guilt at having been paid twice for this stuff would honestly be more than I could bear, and I would almost certainly burn in hell forever.”)
