Michael

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Rock failed not because Kurt Cobain was on a major label but because programmers resisted a vision like KROQ’s in the 1990s and the first decade of the 2000s or WMMS’s in the 1970s and 1980s, fusing not only rock and Top 40 sensibilities but a young demographic across class lines. That’s what, ultimately, was needed to sell like 18–34 spirit.
Top 40 Democracy: The Rival Mainstreams of American Music
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