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One evening Sergey delivers an invitation for another Grigory party. Guests are told to prepare for the art project of the year. The impossibly fashionable boys are all dressed in black this time. Grigory enters, and his court photographer (he has a stutter and is the only one here drinking as heavily as me) puts down his cocktail and scampers over. A burst of photographs: this is the Moscow way—all the rich have their own photographers. They take them on holidays, to parties, to family gatherings; you’ve only made it when your life becomes a magazine.
Nothing Is True and Everything Is Possible: The Surreal Heart of the New Russia
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