art of noise wouldn’t really take off until the sixties. In July 1960, a bassist named Grady Martin was recording a riff for a Marty Robbins song called “Don’t Worry” when his amplifier malfunctioned, creating a heavily distorted sound that we now call a “fuzz tone.” Initially Robbins wanted it removed from the song, but the producer persuaded him to keep it. “No one could figure out the sound because it sounded like a saxophone,” Robbins would say years later. “It sounded like a jet engine taking off.
