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So I have to keep remembering that Warner and I are 2 different words. We are synonyms but not the same. Synonyms know each other like old colleagues, like a set of friends who’ve seen the world together. They swap stories, reminisce about their origins and forget that though they are similar, they are entirely different, and though they share a certain set of attributes, one can never be the other. Because a quiet night is not the same as a silent one, a firm man is not the same as a steady one, and a bright light is not the same as a brilliant one because the way they wedge themselves into a
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“There’s never been anyone else,” he says, not bothering to keep his voice down anymore, not caring that his words are echoing through these tunnels. His hand is shaking as he covers his mouth, as he drags it across his face, through his hair. “There’s never going to be anyone else—I’m never going to want anyone else—”
“You don’t want this—you don’t want to be with someone like me—someone who will only end up h-hurting you—” “Dammit, Juliette”—he turns to slam his palms against the wall, his chest heaving, his head down, his voice broken, catching on every other syllable—“you’re hurting me now,” he says. “You’re killing me—”
He moves to go before he stops, turns back, glances at Brendan and says, “Put it out of your head, bro.” Brendan looks up, confused. “What?” “It’s not going to happen.” “Wha—” Kenji stares at him, eyebrows raised. Brendan’s mouth falls closed. His cheeks are pink again. “I know that.”
“Do you know,” he says, closing the cover of the journal only to lay his hand on top of it. Protecting it. Staring at it. “I couldn’t sleep for days after I read that entry. I kept wanting to know which people were chasing you down the street, who it was you were running from. I wanted to find them,” he says, so softly, “and I wanted to rip their limbs off, one by one. I wanted to murder them in ways that would horrify you to hear.”
“You must know how sorry I am. That I”—he swallows—“that I kissed you like that. I confess I had no idea you would shoot me for it.”
“I promise you,” he says, “I never would’ve kissed you if I didn’t think you wanted me to.”
“Don’t go,” he whispers, eyes on my notebook again. “Please,” he says. “Sit with me. Stay with me. I just want to see you. You don’t even have to say anything.”
“You know,” he says, “I could tell, the very first day I met you. There was something about you that felt different to me. Something in your eyes that was so tender. Raw. Like you hadn’t yet learned how to hide your heart from the world.” He’s nodding now, nodding to himself about something and I can’t imagine what it is. “Finding this,” he says, his voice soft as he pats the cover of my notebook, “was so”—his eyebrows pull together—“it was so extraordinarily painful.”
“You broke up with me. You gave up on us—on our entire future together. You basically reached in and ripped my heart out and now you’re asking me if I’m okay? How the hell am I supposed to be okay, Juliette? What kind of a question is that?”
“I miss you so much it’s killing me.”
“How am I supposed to go back?” he asks, so quietly. “How am I supposed to forget what it was like to be with you? To be loved by you?”
How the hell,” he says, his voice breaking now, “am I supposed to let go of you? How can I walk away from you?”
“I refuse to believe that this is the end of us. Not if you still love me. Because you’re going to get through this,” he says, “and I will be waiting for you when you’re ready. I’m not going anywhere. There won’t be another person for me. You’re the only one I’ve ever wanted and that’s never,” he says, “that’s never going to change.”
“You can go to hell,” Adam shouts at Warner. “Just because I’m going to hell,” Warner says, “doesn’t mean you’ll ever deserve her.”
hell is empty and all the devils are here
“Books,” he’s saying, pulling his boxer-briefs up and rezipping his pants, “are easily destroyed. But words will live as long as people can remember them. Tattoos, for example, are very hard to forget.” He buttons his button. “I think there’s something about the impermanence of life these days that makes it necessary to etch ink into our skin,” he says. “It reminds us that we’ve been marked by the world, that we’re still alive. That we’ll never forget.”
“Every single day I’m sorry,” he says, his words barely a breath now. “Sorry for believing the things I heard about you. And then for hurting you when I thought I was helping you. I can’t apologize for who I am,” he says. “That part of me is already done; already ruined. I gave up on myself a long time ago. But I am sorry I didn’t understand you better. Everything I did, I did because I wanted to help you to be stronger. I wanted you to use your anger as a tool, as a weapon to help harness the strength inside of you; I wanted you to be able to fight the world. I provoked you on purpose,” he
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“You’re going to go on to do incredible things,” he says. “I’ve always known that. I think I just wanted to be a part of it.”
“Tell your team,” he says, “to prepare for war. Unless his plans have changed, my father will be ordering an attack on civilians the day after tomorrow and it will be nothing short of a massacre. It will also be your only opportunity to save your men. They are being held captive somewhere in the lower levels of Sector 45 Headquarters. I’m afraid that’s all I can tell you.”
“You destroy me.”
“I want you,” he says. He says “I want all of you. I want you inside and out and catching your breath and aching for me like I ache for you.” He says it like it’s a lit cigarette lodged in his throat, like he wants to dip me in warm honey and he says “It’s never been a secret. I’ve never tried to hide that from you. I’ve never pretended I wanted anything less.”
“I want to be the friend you fall hopelessly in love with. The one you take into your arms and into your bed and into the private world you keep trapped in your head. I want to be that kind of friend,” he says. “The one who will memorize the things you say as well as the shape of your lips when you say them. I want to know every curve, every freckle, every shiver of your body, Juliette—”
“I want to know where to touch you,” he says. “I want to know how to touch you. I want to know how to convince you to design a smile just for me.” I feel his chest rising, falling, up and down and up and down and “Yes,” he says. “I do want to be your friend.” He says “I want to be your best friend in the entire world.”
“I want so many things,” he whispers. “I want your mind. Your strength. I want to be worth your time.” His fingers graze the hem of my top and he says “I want this up.” He tugs on the waist of my pants and says “I want these down.” He touches the tips of his fingers to the sides of my body and says, “I want to feel your skin on fire. I want to feel your heart racing next to mine and I want to know it’s racing because of me, because you want me. Because you never,” he says, he breathes, “never want me to stop. I want every second. Every inch of you. I want all of it.”
“I’m so—I’m so desperately in love with you—”
“Please.” He says “Please don’t shoot me for this.” And he kisses me.
He says, “Juliette.” I close my eyes. He says, “I don’t want you to call me Warner anymore.” I open my eyes. “I want you to know me,”
“I don’t want to be Warner with you,” he says. “I want it to be different now. I want you to call me Aaron.”
I’m trying not to cry and I’m saying no no no this can’t happen this can’t be happening I love Adam, my heart is with Adam, I can’t do this to him
and Warner looks like I’ve shot him all over again, like I’ve wedged a bullet in his heart with my bare hands and he gets to his feet but he can hardly stand. His frame is shaking and he’s looking at me like he wants to say something but every time he tries to speak he fails.
“I will not be your clown!” He breaks away from me. “I will not allow you to make a mockery of my feelings for you! I could respect your decision to shoot me, Juliette, but doing this—doing—doing what you just did—” He can hardly speak. He runs a hand across his face, both hands through his hair, looking like he wants to scream, to break something, like he’s really, truly about to lose his mind. His voice is a rough whisper when he finally speaks. “It’s the play of a coward,” he says. “I thought you were so much better than that.”