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“You know, what you want is a one,” Alan rolled on, oblivious to my bristling. “Or a five, obviously. Because you can use both for publicity. A two, blah, that’s just bad news. But a one: that’s a history-making calamity. People will be inclined to check it out just to see how bad it is.”
Everyone on This Train is a Suspect (Ernest Cunningham, #2)
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