People might think it strange that music could make such an impact on a filmmaker, but it’s quite natural to me. I like the early composers, like Monteverdi, Gesualdo, Heinrich Schütz and Orlando di Lasso. Or let’s go back even further, to Johannes Ciconia, the troubadour Martim Codax, Francesco Landini and Pierre Abelard, before we arrive at Bach’s Musikalisches Opfer.
